I’ve written before about my constant battle with an affliction called Gear Acquisition Syndrome (GAS). It’s an almost compulsive need to purchase new equipment in the firm belief that the new item, be it a guitar, amp, or effect pedal, will be the spark that ignites stale monotony into inspired genius. Sometimes it works, but I find that more often, buying new equipment is just a substitute for doing the hard work required to be creative.
This isn’t unique to musicians. Most hobbies require some type of equipment, and therefore present the temptation to acquire more or better gear. We’ve covered the topic of breaking up with a hobby, but an alternative is to simply try to do more with less.
Over the weekend I happened to watch a fascinating documentary called Standing in the Shadows of Motown and I was inspired by the minimal amount of equipment that James Jamerson used. His bass playing on hit songs such as “You Can’t Hurry Love” and “I Heard It Through the Grapevine” helped define the Motown sound, and completely revolutionized the role of bass in popular music. Jamerson’s influence permeates so much of modern music that it would be nearly impossible to list it all, yet his bass rig was very minimalist. Just an upright acoustic bass, and later his 1962 Fender Precision Bass were all he used for most of his studio recordings. The bass was simply plugged directly into the mixing console.
One of my resolutions for 2010 is to buy less hobby-related equipment. Instead, I’m going to try to follow Jamerson’s example, and look for ways to do more with less.